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Type High


Type Design

Type High

Fall + Spring 2020

In the Fall semester of 2019, I set out to design a typeface inspired by weed, drawing from both the physical forms of the cannabis plant and the psychoactive effects of THC & CBD.

As my first attempt at type design, I was intrigued by the breadth of creative opportunity both in letterforms as a medium and the cannabis industry as a subject. I was also heavily influenced by the expressive typography of Leah Maldonado and James Edmondson. The typeface was named after the term “type-high,” a nod to the incredible engineering of metal and wood typesetting.

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Type Specimen, Cover + Inside Front Cover

Type Specimen, Cover + Inside Front Cover

Type Specimen, Type High Glyphs + Testing

Type Specimen, Type High Glyphs + Testing

 
 

Months of sketching through Fall 2019 revealed many different potential directions, but most of them were half-baked (wink wink). In the end, several elements within these sketches made it into the final design. I wanted letters that felt like plumes of smoke doing pirouettes in the air, or like laying in a field of tall, tangling grass under the glow of the moon.

 
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Typography is one of the most powerful tools in graphic design, which was one of the main reasons I sought out designing a typeface. As much fun as I had pixel-pushing bezier curves in Glyphs, I also enjoyed giving Type High its own identity once the letterforms were finished. Obvious color choices were green and purple, and various cannabis products and packaging (like rolling papers, for example) informed the design of the specimen. Creating the identity also made me appreciate Type High’s potential for pattern-making.

 
Type Specimen, Various Marijuana Strains + Insert

Type Specimen, Various Marijuana Strains + Insert

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Type High in Use

Logotype

 

Acknowledgements

Thank You For Making This Pipe Dream a Reality!

☺✿♡

There were many moving parts to this project. It involved extensive research, iteration, prototyping, and above all, critique. Looking back, I can’t help but smile knowing how far it has come. Thus, I’d like to take up some space on this page to acknowledge those who helped along the way.

Simon Walker, Em Karimifar, Keith Davis Young, Emily Eisenhart and Megan Skornia for their thoughtful critique and fruitful conversations during the fall research semester.

James Walker, Gray Garmon, Jason Wilkins, Kelcey Grey, Rithambara Singh, Shashank Jain and Jorge Zapata, for tolerating the concept of a weed typeface for two semesters straight and still offering new insights and perspectives.

James Edmondson, for his excellent feedback and continued sharing of knowledge and kindness.

And of course, the UT letterpress and historic Rob Roy Kelly wood type collection, for inspiring the typeface’s name.

 

Free Download

Version 0.1 — March 2020

Version 0.2 coming soon!